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For her solo exhibition, "An Unreliable Narrator", contemporary artist Barbara Friedman offers new works from her "Strange Bedfellows" series of paintings, a series that engages familiar protagonists from children's literature and popular culture. The narrative framework employed by Friedman serves as one among many entry points through which to delve deeper into these multi-layered works. Traversing the demarcations between representation and abstraction, story and sensorial aesthetics, the artist utilizes the associations of her chosen forms as readily as yet another color on the palette, eschewing simple categorization of these rich and chromatic works. Though relatively new, the paintings on view within "An Unreliable Narrator" contain a wide array of subject matter and tone, and include qualities that are in keeping with earlier series from this prolific painter. Vibrant glowing undertones, keen color relationships, and deft combinations of paint application (blurringscumbling, scraping, blending) form a sort of signature, a few of the identifiable markers of this artist's varied and masterful lexicon. 

 

The artist progresses through her constructions, building and changing her motifs intuitively, each series of works developing as a sort of dialogue between Friedman, the works themselves, art historical references, & inspiration. Shares the artist, "most of the moves I make in my paintings ... happen organically, through the process." It is this organic process of altering, enhancing, and painting over older works that gave rise to the Gulliver and Gumby forms at their outset. Taken together with a third protagonist, classic fictional marionette Pinocchio, the characters on view in this series foreground a few of the artist's current conceptual and worldly concerns.

 

The title "An Unreliable Narrator" refers, of course, to literature and those moderately reliable characters fitting this description throughout history including, Twain's Huckleberry Finn, Nabokov's Humbert Humbert, Ellis' Patrick Bateman, and Swift's satirical classic Lemuel Gulliver. A work that has an "unreliable narrator" compels the reader to second-guess the information they are given, to view as suspect any "truth" or claim of veracity on the part of the main storyteller, a work of fiction becoming doubly so.

 

The presence of the hyperbolic Gulliver, the physically malleable Gumby, and the occasionally mendacious Pinocchio in these artworks implies a sort of lingering remembrance of the early lessons of these childhood antiheroes. With a painterly bravura and in bright colors, these figures once again point to a sort of fantastical limbo, somewhere between fantasy and reality, fact and fiction, a timely underscoring of the verisimilitude and all too relevant biases inherent in any dissemination of experiential "reality", anecdotal or otherwise.

 

Like any great work of art, these paintings exist on multiple levels, the formal, the conceptual, and of course individually as unique vehicles of storytelling. As with any great tale, well executed in vivid strokes and in bold particulars, there is still plenty of space for the viewer to investigate, to second-guess, to color in & flesh out the shapes & lines within, & like the artist before them, make these stories indelibly their own.

 

Barbara Friedman is an artist based in New York City and professor of art at Pace University. She has exhibited widely, with thirty-five solo shows, most recently at Buddy Warren Gallery in New York, NY (2016); BCB Art in Hudson, NY (2015); Ober Gallery in Kent, CT (2014); Ethan Petitt Gallery in Brooklyn, NY (2014); the Painting Center (2012); and twice at Michael Steinberg Fine Art in New York, NY (2007, 2009).  Earlier solo exhibitions were at Art Resources Transfer, The Queens Museum, and White Columns (all NYC); Carnegie-Mellon University, Cleveland State University, the Roanoke Museum of Fine Arts, and the Dana Wright Gallery in San Francisco among others. Reviews of Friedman's work have appeared in the New York Times, the New York Sun, The Irish Times, Newsday, Art in America, ARTS Magazine, and Artweek. A group of her paintings were selected for the 2007 issue of New American Paintings, and another group for the 2010 issue.

 

The exhibition is open to the public during normal business hours and by appointment and will be on view at Hamilton Square through August 27th, 2017. For further information, please visit us at SILVERMAN or call number (201) 435-8000. Hamilton Square is located at 232 Pavonia Avenue in Jersey City, NJ.

 

Join our Facebook Event page: HERE

Downloadable PDF of Press Release: HERE

 

An Unreliable Narrator: Paintings by Barbara Friedman is the sixth exhibition that artist/curator Enrico Gomez will organize for SILVERMAN. For additional information on the exhibiting artist Barbara Friedman, please visit: barbarafriedmanpaintings.com. For additional information on the curator, please visit: enricogomez.com and thedoradoproject.com.

 

SILVERMAN has presented the works of Michael Steinbrick, Jeanne Tremel, Eliot Markel, Debra Drexler, Mark Van Wagner, Rob Ventura, Robert Hendrickson, Sarah Becktle, Kati Vilim, Mark Dagley, Candy Le Sueur, Ed Fausty, Anna Mogilevsky, Ali Harrington, Sara Wolfe, Anne Percoco, Shauna Finn, Melanie Vote, Paul Lempa, Fanny Allié, Michael Meadors, John A. Patterson, Charlotte Becket, Roger Sayre, Karina Aguilera Skvirsky, Tom McGlynn, Margaret Murphy, Valeri Larko, Tenesh Webber, Glenn Garver, Jennifer Krause Chapeau, Michelle Doll, Tim Heins, Megan Maloy, Laurie Riccadonna, Thomas John Carlson, Tim Daly, Ann Flaherty, Scott Taylor, Jason Seder, Sara Wolfe, Beth Gilfilen, Andrzej Lech, Hiroshi Kumagai, Victoria Calabro, Asha Ganpat, Darren Jones, Ryan Roa, Laura Napier, Risa Puno, Nyugen E. Smith, Amanda Thackray, and Kai Vierstra, among others.

 

Directions:

Hamilton Square is located at 232 Pavonia Avenue, in the scenic Hamilton Park neighborhood of Jersey City. Surrounded by tree-lined streets and attractive brownstones, Hamilton Square is located just blocks from the Holland Tunnel, the Light Rail, the Pavonia-Newport PATH Station, and the Grove Street PATH Station - making it an easy destination from anywhere in the greater Manhattan and North Jersey areas, with just a swipe of your MTA card!

(PATH Train to Grove Stop: PATH Trains from WTC, 33rd, 23rd, 14th, 9th, and Christopher St)

 

To reach us from Newport PATH Train Station:

Access PATH Train at 6th Ave & 32nd, 23rd, 14th, 9th, and/or Christopher Streets in Manhattan, disembark at Newport Stop. Walk through Newport Mall and exit through doors (by McDonald's) on first floor, cross through parking garage to Marin Boulevard. Cross Marin (at firehouse) and walk west on 8th street. At Erie Street turn Right and we are a few steps on the left (west) side of street at Pavonia.

 

To reach us from Grove Street PATH Train Station:

Access PATH Train at WTC Oculus Hub in Manhattan, disembark at Grove Stop. Walk up Newark Ave, turn Right on Erie Street, and walk north a few minutes until Pavonia Ave.

On-street and metered parking is available. 

 

ADDRESS:

Hamilton Square
232 Pavonia Avenue

Jersey City, NJ  07302
ph (201) 435-8000

 

For inquiries on the artists or available artworks including press images and information, please contact: Enrico Gomez for The Dorado Project (917)719-1447 or thedoradoproject@gmail.comMore info at thedoradoproject.com 


Holding it Together Group Exhibit curated by Teri Hackett

May 13 - 14

68 Jay Street, Brooklyn, NY

  


Strange Bedfellows Solo Exhibition

Dates of exhibition: October 21 – November 19, 2017

Exhibition Opening: October 21, 2017, Artist Talk from 3-4pm, Reception from 4-6pm

CAS Arts Center of Livingston Manor

48 Main St, Livingston Manor, NY 12758