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The best painting-centric guide to art galleries in NYC, Brooklyn, and Queens / This month in Brooklyn we look forward to seeing “Frances Brady, Much More Together,” a collaborative collage project created by Marta Lee and Anika Steppe at Underdonk (opens on August 5) and Barbara Friedman’s solo show “The Hysterical Sublime” at FiveMyles (opens on August 19). Full Article


BARBARA FRIEDMAN & PHILEMONA WILLIAMSON

OCTAVIA ART GALLERY
MARCH 6 - 27, 2021

700 Magazine Street, Ste 103, New Orleans, LA 70130
Opening Reception: Saturday, March 6, 10am - 6pm

(Left) Barbara Friedman, Green Collar on Red (detail), 2014, Oil on linen, 36 x 27 inches (Right) Philemona Williamson, Dislocation (detail), 2020, Oil on Paper, 22 x 30 inches

(Left) Barbara Friedman, Green Collar on Red (detail), 2014, Oil on linen, 36 x 27 inches
(Right) Philemona Williamson, Dislocation (detail), 2020, Oil on Paper, 22 x 30 inches

Octavia Art Gallery is pleased to announce Barbara Friedman & Philemona Williamson, an exhibition featuring two narrative painters, both women based in the Northeast.

Barbara Friedman’s painting process is exploratory. She paints to discover and likes to be surprised by her work. She sometimes paints over her old paintings while retaining certain areas and allows images to emerge from the almost fluorescent underpainting, which glows through with an ethereal light. Dislocation is a consistent theme in Friedman’s paintings, and she relies on landscape and portraiture traditions to provide the contexts in which the dislocations occur. She also lets the formalist concerns of modernist abstraction guide her. Many paintings featured in this exhibition are from Friedman’s Dutch ruff collar works. These “Big Collar” paintings take their inspiration from Old Master portraits but the play of scale and color moves the collars into contemporary discussions of bodies and genders. 

Philemona Williamson’s figurative paintings depict individuals of varying ethnicities inhabiting timeless, invented, dream-like environments. Her paintings probe the psychological landscape of adolescence, blurring the lines between race, gender, and class. Featured in this exhibition are Williamson’s works on paper, which are based on her collection of dolls, toys, children’s clothing, porcelain figures, and the possible narratives they suggest. She positions them as characters in a drama, a narrative memory that plays out in the artist’s reflections, dreams, and hopes across the paper. 

Barbara Friedman has exhibited widely, with 36 solo shows throughout the United States. Reviews of her work have appeared in the New York Times, the New York Sun, The Irish Times, Newsday, Art in America, ARTS Magazine, and Artweek. A group of Friedman’s paintings were selected for the 2007 issue of New American Paintings, and another group for the 2010 issue. Friedman’s paintings are included in many collections, including The Aldrich Contemporary Art Museum, The New York Metropolitan Transit Authority, Franklin Furnace, Hollins University, The Marvin Sackner Collection of Concrete Poetry, The San Francisco Museum of Modern Art, The Taubman Museum of Art, and Yale University's Beinecke Collection. Friedman lives, paints, and teaches in New York City, where she has been a professor of art at Pace University since 1983.

Philemona Williamson has shown widely in the United States, Central America and recently at her mid-career retrospective at the Montclair Art Museum in NJ. She is represented in numerous private and public collections, including The Montclair Art Museum; The Kalamazoo Art Institute; The Mint Museum of Art; Smith College Museum of Art; Hampton University Museum; Sheldon Art Museum; Mott-Warsh Art Collection, and AT&T. Williamson is the recipient of numerous grants and awards including The Joan Mitchell Foundation, Pollock-Krasner Foundation, National Endowment for the Arts, New York Foundation for the Arts, among others. She was an artist-in residence at The Joan Mitchell Center, the Millay Colony for the Arts and currently teaches painting at Pratt Institute and Hunter College. Her latest project is a series of paintings for the children’s book “Lubaya’s Quiet Roar” just out from Penguin Random House.


ART FROM THE BOROS VIII

Denise Bibro Fine Arts 

A Ten-Artist Virtual Exhibition: February 25 – March 20, 2021

TEN ARTISTS

Donna Bolkcom, Marcie Vesel Bronkar, Margaret Zox Brown, Barbara Friedman, Mikhail Gubin, Judith Ostrowitz, Jeffrey Pullen, Elizabeth Riley, Robert Salmieri, Zazu Swistel

This exhibition continues to highlight unheralded work of some of the most talented artists living and working in New York. 

We continue to have this exhibition each year to tap into this well of perseverance, talent, and energy. 

website

Barbara Friedman, Early Bird, 2020, oil on linen, 44 x 37 inches

Barbara Friedman, Early Bird, 2020, oil on linen, 44 x 37 inches

Barbara Friedman, Mouse King, 2020, oil on linen, 44 x 37 inches

Barbara Friedman, Mouse King, 2020, oil on linen, 44 x 37 inches


Barbara Friedman at Sarah Nightingale Gallery

Animals!
Nov. 6 - Dec. 2, 2020

In a departure from her ongoing series, Unreliable Narrators, in which fictional characters from children's literature find themselves in unsettling situations, Friedman, with this new body of work, views herself as an "image seeker" rather than an "image maker". In Animals!, imagery emerges from "inchoate spreads of watercolor, as if it were an allegory of embryonic development." Rather than beginning with a fixed narrative, Friedman allows the paint to form shapes and looks for subject matter in those shapes.

Being cooped up in her apartment made her crave the natural world, and this resulted in odd creatures appearing in her paintings. Often they are draped over each other, sort-of human and sort-of non-human. Friedman believes the enforced isolation has led to her interest in “how natural bodies intertwine”.

This mutual contact also speaks to pathogens that are passing between wildlife and humans in a time of habitat destruction and the reduction of biodiversity. The fantasy of interaction with the natural world is realized as a source of infection. These are scenes of intimacy, which we desire, but also fear.

Barbara Friedman, Blue Dog, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Blue Dog, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Howl, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Howl, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Froggy, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Froggy, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Chick, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Chick, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, The Prince, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, The Prince, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, The Mouse King, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, The Mouse King, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Ursa Minor, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Ursa Minor, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Big Lick, water color and mixed media on paper, 16.25" x 12.25"

Barbara Friedman, Big Lick, water color and mixed media on paper, 16.25" x 12.25"


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